Director William Brent Bell returns to helm the unnecessary
sequel Brahms: The Boy II (2020). I say
unnecessary as if you’ve seen the original film, then you know there is no need
or logical place for a sequel to go, so writer The original film was very much related in
the “real” world but this sequel obviously goes into supernatural territory.
Stacey Menear decides to rewrite
a lot of what made the original film such a great, yet surprising, film.
Liza (Katie Holmes) and her son Jude (Christopher Convey)
are assaulted in their home while her husband Sean (Owain Yeoman) is away. Suffering from stress from that night, Jude
has stopped talking and Liza starts suffering from nightmares so they decide to
uproot their family and move out to the country to heal. Unbeknownst to them, they move into the
cottage next to the one that featured in the original film. When the family goes for a walk in the woods
and venture to closely to that house, Jude finds the doll Brahms buried in the
ground. They also meet Joseph (Ralph
Ineson), the groundskeeper, who tells them about some of the history involving
the house.
Back at home, Liza begins to notice strange behavior in her
son Jude. She discovers Brahms “rules”
and Jude starts to dress and act like Brahms.
She starts to question where Brahms came from and her investigation
leads to a slew of murders and stories involving Brahm’s original home and its
inhabitants to the point where she starts to think that maybe her son is
possessed by the doll. Now she must find
a way to save her son before it is too late.
The first two-thirds of the film is actually not that
bad. Menear does a great job creating
characters that actually have a captivating story that is rounded out by a
great cast to bring it to life. The film
looks great and the atmosphere of dread permeates the film. It is the fact that the film ultimately takes
a supernatural turn in the third act that destroys the good will built up to
that point. The explanation for
everything borders on ludicrous especially considering the original film. The film would have been better served as an
original stand-alone film rather than a sequel due to the baggage. Keeping this in mind it’s anyone’s guess if
you will ultimately enjoy the film although it may be better enjoyed by
audiences who have never seen the original as which point the film should have
just been called “Brahms”.
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