******

Quote:

Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha."

- Kevin James Breaux
Showing posts with label Tom Hiddleston. Show all posts
Showing posts with label Tom Hiddleston. Show all posts

Sunday, May 10, 2015

"Rants & Ravings About Horror" - Week 18: “What Type of Monster Are You?”



Week 18: “What Type of Monster Are You?”

Last week I wrote about werewolf films which got me thinking about monsters and why we love them so much.  I don’t know about you but I love monster films.  Although my least favorite is the vampire, I enjoy watching a good vampire film and in fact, last year’s Only Lover’s Left Alive (2013) was at the top of my list for one of the best horror films of the year.  I absolutely love the Godzilla films (neither American version holds a candle to the Japanese films) and I’m a huge fan of Frankenstein’s monster.  I usually gravitate towards the misunderstood monster of which Frankenstein’s monster is top of the list followed by (of course) King Kong.  I also love zombie films but a zombie is at the bottom of the list of what monster I would want to be unless it was King Zombie from the Deadworld comics.  Being a zombie would be the least fun of all the monsters.

I want to take this week’s rant and go through some of my favorite monster s and why I would or wouldn’t want to be them.  As much as I would love to join the ranks of Frankenstein’s monster, I would hate always being chased by angry villagers and never having a Bride of my own (who would probably misunderstand me as well as everyone else).

Being immortal would be interesting but it could also be as boring an existence as Adam (Tom Hiddleston) in Only Lover’s Left Alive.  I would like to have an existence closer to the suave Jerry Dandridge from Fright Night (1985) rather than the blood thirty savages of 30 Days of Night (2007) or the forever teenage twinklers of the Twilight Saga.  I’d also hate to be a shut in like that of Count Orlock in Nosferatu (1922) but I think I would enjoy life on the road like the vampires in Near Dark (1987) and if I was stuck as a teen forever I guess I could handle being part of the gang of The Lost Boys (1987).  I would hate to be a relative of Dracula as him and his kin has too many enemies and a family feud with Van Helsing and his clan.  There are just as many good things about being a vampire as there is bad.

Being a zombie is pretty much out if you ask me.  There aren’t any cool zombies other than King Zombie and even the zombies in Warm Bodies (2013) wanted their humanity back.  No, life as a zombie is short lived especially in the world of The Walking Dead and I would hate to be someone’s pet like in Fido (2006) or Shaun of the Dead (2004).  I’m sure I’m more in the unlucky category and would slowly watch myself decay like in I, Zombie: The Chronicles of Pain (1998) or Contracted (2013) or Zombie Honeymoon (2004).  Being a zombie should be at the bottom of everyone’s list.

Being a giant monster also doesn’t leave you much room either.  Godzilla rarely had a moment’s peace even when he was exiled on Monster Island and King Kong couldn’t catch a break from anyone.  Being a giant mutated insect would seem cool at first but then the government would just come after you and annihilate you (and your family) like in Them! (1954) or Tarantula (1955) or Eight Legged Freaks (2002) but then again I’m sure I’d have lots of fun as a giant human like in Attack of the 50 Foot Woman (1958) or Honey, I Blew Up the Kid (1992), but then we’re getting further and further away from horror and more into sci-fi and fantasy.

I would love to be a werewolf!  Not the whole cursed kind like in The Wolf Man (1941) or Cursed (2005) or even An American Werewolf in London (1981) but more in line with the those wolves with control over their transformations like in The Howling (1981) or the werewolves of Underworld (2003) and Dog Soldiers (2002).  I also wouldn’t mind the whole turning into a wolf kind of werewolf like in Wolf (1994) or Blood & Chocolate (2007) or Wolfen (1981); I think that would be cool as well.  There are just so many different ways in which being a wolf could be beneficial unless it comes at the time of puberty like in Teen Wolf (1985) or Ginger Snaps (2000) then I could see it being both a curse and a blessing.

The toxic or mutated monster isn’t something to joke around with.  Sure I think The Toxic Avenger (1984) is cool but then who would want to be a C.H.U.D. (1984)?  Would you want to be a toxic zombie/creature like in Nightmare City (1980) or a Septic Man (2013)?  How about something more akin to David Cronenberg’s The Fly (1986)?  Not really something to behold unless it’s in your genetic makeup like The Fly II (1989) or a science experiment mixed with nature like Swamp Thing (1982) but not to the extreme of Man-Thing (2005).  

This now brings us to the group of monsters which is just about everything else like those featured in Clive Barker’s Nightbreed (1990).  This is a menagerie of monsters of all types from all over the world who have gathered together as one big family.  You have immortals, shape-shifters, amalgamations of all types and even a few dead monsters and God-like deities mixed in and Berserkers.  Midian is where the monsters live whether it is within a hidden labyrinth under a graveyard or somewhere else.  This is a place where all monsters are equal and safe.

Now, this is a small sampling of the many monsters that inhabit our world of dreams and nightmares and I see all monsters great or small as equal (even King Kong and Godzilla).  After examining all the choices I would still stick with being a werewolf (or any were-creature for that matter).  Transforming into an animal, which represents our primal self, allows us to be closer to nature and be one with our true selves and having that ability is ultimately what we strive for in our daily lives.  The werewolf just gives us a more natural way of expressing it (as does I guess being a Swamp Thing).  Being a vampire may be more glamorous but who wants to live forever?

What type of monster are you?

Tuesday, July 15, 2014

“Top 15 Films of 2014…So Far…”



I watch a lot of films every year (as any good screenwriter and film maker should do) and a friend of mine asked me about what were some of the best films I’d seen lately.  That got me thinking about “what” are some of my favorite films of this year so I decided to put together a list.  The following is a list of my favorite films starting at the bottom of my list with number fifteen all the way to the top.  This list only includes films released theatrically in 2014 (or the list could have been longer).  Enjoy. 

15. GODZILLA - a highly entertaining and well executed film that has a strong opening but a weak follow through.  The humor story gets lost (and is sometimes nonexistent) in the latter half of the film.  The creature effects are amazing (especially in 3D and on the IMAX) but you miss the monsters every time they are off screen which is why the film doesn’t place further up on the list.

14. ROBOCOP (2014) – a remake that successfully takes (what is now considered campy) classic sci-fi & horror hybrid and makes it relevant to modern audiences while retaining the original plot but changing it enough to call itself its own.  The film is anchored by great supporting turns of Michael Keaton, Gary Oldman, Jackie Earl Haley and Samuel L. Jackson and some great special visual FX that won’t disappoint.  All this plus it takes the transformation of Alex Murphy and makes it more personal by also focusing on his family (something none of the previous trilogy did).  This was a stand out sci-fi film of the year despite carrying a Rated-PG 13 status.

13. X-MEN: DAYS OF FUTURE PAST – seven films into the franchise and I was completely surprised by how good this film actually is.  It took the core characters of the First Class film and added there modern day counterparts and crafted a film worthy of being called an “X-Men” film.  Bringing director Bryan Singer back into the fold was a stroke of genius as he gave us a film and story in which we still care for the characters despite being the seventh film into the franchise.  It also helps that this film has the best cast of any of the other films and allows them all to give some powerful performances that resonate not just with each individual character but the franchise (and the future thereof) as a whole.

12. OCULUS – a modern day tale of the Boogeyman if trapped inside a mirror.  This is a very moody and atmospheric film about siblings trying to prove that they’re not crazy but in the process may be driven crazy in the process.   There is no masked man or zombie trying to get at these siblings.  By trying to prove that the mirror in the film is deadly they are forced to deal with past trauma and the only way to do that is to trust each other which may become deadly.  It’s a well done tense and suspenseful horror thriller.

11. EDGE OF TOMORROW – a surprisingly entertaining and well executed sci-fi film starring Tom Cruise of all people.  I’m not one of those people on the “Tom Cruise Hate Wagon,” I just don’t watch his films all that often.  I found this film entertaining and full of interesting ideas and the “ground hog day” theme was a brilliant stroke of cinematic magic.  This is a film that’s one of the sci-fi highlights of the year.

10. SNOWPIERCER – based on the classic French graphic novel from director Joon-ho Bong (director of the Korean films The Host and Mother) making his English language début with a post-apocalyptic nihilistic action film.  It takes the basic story of the graphic novel and vastly improves upon it with bigger ideas and themes and places them in a superb film that also happens to be an action film.  As with his other films, Bong has bigger ideas for his audience to think about and this ended up being the perfect vehicle for them.

9. BAD WORDS – Jason Bateman’s directorial debut also happens to be extremely funny and poignant at the same time and one of the best comedies of the year.  The film goes from having Bateman being one of the most hated men to someone who both learns something and teaches something to his young protégé.  The film is better than expected because of the whip smart dialogue and the perfect execution from the very talented cast.    My pick for best comedy of the year.

8. NOAH – there are many grand ideas in Darren Aronofsky’s Biblical epic that is both controversial and inspiring at the same time.  In less capable hands the story of Noah and his Ark could’ve been a preachy mess or an artistic statement.  Aronofsky balances the themes of the story while also presenting his own ideas in a unique and creative way that will have you thinking about what you’ve seen long after the End Credits roll.  The film is also anchored by some powerful performances from Russell Crowe, Jennifer Connelly, and Ray Winstone.

7. THE ROVER – hands down actor Robert Pattinson’s best performance to date because it’s so far removed from everything thing else he’s ever done.  Guy Pearce also gives and equally compelling performance (which is expected) but his character’s transformation is one of the most poignant since he goes through so many changes in the film.  By the time you get to the end of the film and you realize why his character is so desperate to get his car back from common thieves you will be left in tears.  This is a desolate and uncompromising post apocalyptic film that great from beginning to end.

6. THE RAILWAY MAN – one name – Colin Firth.  I’ll say it again COLIN “F*^king” FIRTH.  He’s amazing in this film as a man who finds solace in his knowledge of trains that keeps him sheltered from a past of torture from the war.  When he falls in love with Nicole Kidman’s character he also discovers that the man responsible for his torture in the war is still alive and it leads him down a dark road that he may not be able to come back from.  Firth ignites the screen in this film (as he always does) and it also helps that he brings Kidman and Stellan Skarsgard along for the ride.

5. ONLY LOVERS LEFT ALIVE – my choice for best most unusual film of the year.  Written & directed by Jim Jarmusch this modern day vampire “fable” is anchored by some of the best performances of any film this year from Tom Hiddleston, Mia Wasikowska and the phenomenal Tilda Swinton (one of the greatest actresses alive who can do no wrong – also see her performance in Snowpiercer).   This film that mixes the past with the present about a vampire on the verge of suicide (Hiddleston) and his forever lover (Swinton) trapped in a world of excess of “zombies” (as the humans are referred to) also has some remarkable comic performances from Anton Yelchin and Jeffrey Wright.  Jarmusch has a talent for mixing the weird with the sublime.

4. LOCKE – another film anchored by a phenomenal performance by Tom Hardy.  This is a far different role than what Hardy did in The Dark Knight Rises, Inception, This Means War, and any of his other films.  It’s about a man (Hardy) who has everything until he discovers that everything is crumbling down around him and he’s just trying to do the best that he can.  Hardy carries the entire film which is in a single location (a moving car) but he is given an equally magnificent screenplay by Steven Knight (who also directs).

3. MALEFICENT – the “true” story of fairy queen Maleficent could have turned out so very wrong but in the hands of Angelina Jolie it becomes one of the finest films that re-imagines a fairytale.  Not only that but the screenplay by Linda Woolverton is spot on perfect as it parallel’s Maleficent’s journey of finding love, losing love, and then finding it again with that of Aurora herself making the whole film resonate with audiences.   It’s hard to take what has always been a villain and make her journey seem personal and resonate and seem poignant to an audience and they achieve that with this film.

2. CAPTAIN AMERICA: THE WINTER SOLDIER – considering that I just thought the first film was an adequate “by the numbers” film my expectations for this film were very low.  What truly saves this film is the great screenplay by Christopher Markus and Stephen McFeely (and the concept & story by Ed Brubaker).  This film takes a different approach by presenting our hero as a man lost in time just trying to find his place in a world which has lost its values.  It’s also a film about a man trying to discover who his real friends are and who he can really trust amidst a conspiracy of corruption and terrorism.  An espionage film within a comic book superhero film that actually works and is better than expected with some terrific action sequences and CGI effects that don’t overcome the story of film (like the Thor and Iron Man films which have all been uneven at best).

1. THE RAID 2 – an action film is my choice for best film of the year (so far).  The first film was good but this film (armed with a bigger budget and a wider canvas to explore) blows the previous film out of the water.  It’s not just a gangster film and not just a martial arts action film.  This is the film about a man trapped in a world he can’t find his way out of just trying to get back to his family without getting killed.  The icing on the cake is the fact that it also contains some of the best choreographed action sequences committed to film in the last decade as well as so little (to no) CGI effects that the whole film has a freshness to it not seen in years.  It’s a comfort to see a film not reliant on CGI effects which makes all the fight sequences all the more impressive.  The film also excels in presenting action sequences that propel the story forward and develop character at the same time (a rarity in most action films).  This is an amazing film from beginning to end that will amaze because you’ll leave the theater not believing what you just saw.

Now that you have my list of great films, the following is a list of films released this year that I have yet to see but wanted to (which is why they didn’t make the cut).

*The Signal (2014)
*The Immigrant
*Ida
*Under the Skin
*Draft Day
*The Lego Movie
*The Sacrament
*Chinese Puzzle
*Cold in July
*Dom Hemingway
*Jodorowsky’s Dune
*Nymphomaniac Part I & II
*Begin Again
*The Wind Rises
*Belle
*The Grand Budapest Hotel
*22 Jump Street
*The Fault in Our Stars
*Divergent
*The Monuments Men
*Jersey Boys
*Million Dollar Arm
*Chef
*Winter’s Tale