“My Picks for 2016 Award Winning Films”
One of the biggest problems I have with “awards season” is
that all the award ceremonies only make there picks from roughly the last two
months out of the year. You rarely see
films on the list that were released at the beginning of the year or films that
critics seem to love that came out of left field during the year but then are
forgotten by the end of the year when “awards season” opens and all the studios
release their “award contenders” at the same time (FYI – films produced
specifically by studios to win awards, thus accolades). Instead, I’ve decided to create my own list
of Award Contenders that encompass films from all genres that had a domestic US
release at any time within the year (and not those films that get an “award
qualifying run” that are released in a single theater in New York or LA before
going wide in the following year).
I’ve looked at all the films that I’ve seen that received a
domestic release in 2016 from all genres and decided to create my own award
nominations and winners. The rules are
simple. The film must have had a
domestic release in 2016 and I have to have seen it. There are no films on my list that I haven’t
seen so the following films are not included (since I haven’t seen them but may
have gotten on the list if I had) – The Handmaiden, Elle, Miles Ahead, The
Eagle Huntress, The Mermaid, Midnight Special, A Hologram for the King, 20th Century Women, Hell or High Water, Loving, Captain Fantastic, Kubo & the Two Strings, Finding Dory, Sully, Weiner, Florence Foster Jenkins, The Lobster, Silence, Moonlight, Lion, The Founder, Hidden Figures, Jackie, Nocturnal Animals, Hunt for the Wilderpeople, and Life, Animated. Those are all the films I wished I had seen but I can only see so many great films a year.
So, let’s get started with the award ceremony I will call –
THE REAL CONTENDERS!
BEST MAKE UP
*Birth of a Nation
*Operation Chromite
*The Shallows
*Star Trek Beyond
*Train to Busan
*A Monster Calls
There was a lot of great films with some spectacular make up
this year and usually I would go with the most elaborate appliances (Star Trek
Beyond, Train to Busan) and this is where a period film would usually shine
(Operation Chromite, Birth of a Nation) but I’m always looking for something
new that enhances the film and the characters in the film and this is where
Birth of a Nation and The Shallows shine the most as you see through make up
how the characters change throughout the film and as much as I love the film A
Monster Calls, I have to hand it to The Shallows not only for showing us Blake
Lively’s deterioration throughout the film through make up that never seemed to
come off in the water. THE SHALLOWS wins the 2016 REAL CONTENDER AWARD!
BEST COSTUME DESIGN
*Fences
*Birth of a Nation
*Star Trek Beyond
*Fantastic Beasts & Where to Find Them
*Rogue One: A Star Wars Story
In this category, we come up with three films where costumes
were familiar (Star Trek, Fantastic Beasts, and Rogue One) and two films that
are period films (Fences, Birth of a Nation) and normally I would love to give
this award to a fantasy or sci-fi film that crafts something new and exciting
because let’s face it, costumes can make or break a genre a film as it helps
put you into the world being created.
But this time I have to hand to the film Fences which took the world of
the phenomenal play and used costumes to really create the time period and put
you into the world of that time period.
Each character had such a unique and personal costume that not only
spoke about their character, their status in society, but their relationships
to each of the other characters in the film.
FENCES wins the 2016 REAL CONTENDER AWARD!
BEST VISUAL FX
*Captain America: Civil War
*Fantastic Beasts & Where to Find Them
*Arrival
*A Monster Calls
*The Shallows
This is one of the toughest categories to look at as all the
films used their visual FX to put audiences into the world of the film. A shark has never been as real as the one in
The Shallows and without the Monster in A Monster Calls much of the story
wouldn’t have had much of an impact.
There hasn’t been an alien creature & spaceship nearly as inventive
as the ones seen in Arrival and Captain America: Civil War has one of the best
super-hero battles ever put on the screen but it is Fantastic Beasts & Where
to Find Them that had a multitude of CGI characters that really made an emotional
impact and enhanced the story and experience of the film from beginning to
end. FANTASTIC BEASTS & WHERE TO
FIND THEM wins the 2016 REAL CONTENDER AWARD!
BEST PRODUCTION DESIGN
*Fantastic Beasts & Where to Find Them
*Fences
*Arrival
*High-Rise
*The Witch
Another tough category as the production design in each of
these films played a unique role and was a character. Arrival and Fantastic Beasts had the most
elaborate production design that helped create the world of the films and
Fences and The Witch had to use limited settings to craft their worlds yet also
tell a complete and compelling story. It
is High-Rise that truly had a magnificent production design where the world was
the main character itself as it crumbled under the pressure of all the
characters within the film. Without the
contributions of the production design team High-Rise wouldn’t have been nearly
as powerful a film as it was. HIGH-RISE
wins the 2016 REAL CONTENDER AWARD!
BEST EDITING
*Green Room
*Fantastic Beasts & Where to Find Them
*A Monster Calls
*Eye In the Sky
*Rogue One: A Star Wars Story
The art of editing is one of the most important elements to
a film as it is the biggest contribution to the overall way in which a film
ultimately tells its story. It helps
build character, create mood & tone, and helps with pacing, among other
things. In the past, Star Wars films
have been nominated numerous times in this category and won (and the magic of
editing is not lost on this latest film); the same can be said of the Harry
Potter spin-off film Fantastic Beasts. A
Monster Calls manages to seamlessly blend the fantastic with that of the real
but it is with Green Room and Eye In the Sky where the editing creates constant
suspense that keeps you on the edge of your seat from beginning to end. This is the backbone of the politically
changed thriller Eye in the Sky which without the art of the editing team could
not have been as effective a film.
EYE IN THE SKY wins the 2016 REAL CONTENDER AWARD!
BEST SOUND DESIGN
*Rogue One: A Star Wars Story
*Fantastic Beasts & Where to Find Them
*Birth of a Nation
*Arrival
*The Witch
I absolutely loved the sound design for The Witch as it
helps create the mood and atmosphere of the film as the world of the characters
deteriorate under the influence of a witch and Rogue One and Fantastic Beasts
had some amazing sound as well (to be expected from such high-profile franchise
films). Birth of a Nation excelled more
than I would have expected given the independent status of the production but
it is Arrival that really put me into a world that was a domestic drama that
also had elements of sci-fi (that never over took the character elements). It was subtle yet striking at the same time
which is not an easy thing to balance.
ARRIVAL wins the 2016 REAL CONTENDER AWARD!
BEST ORIGINAL SCORE
*James Newton Howard, Fantastic Beasts & Where to Find
Them
*Johann Johannsson, Arrival
*Mark Korven, The Witch
*Fernando Velazquez, A Monster Calls
*Michael Giacchino, Rogue One: A Star Wars Story
It was great to hear someone bring something fresh to the
Star Wars franchise with Giacchino’s score and Velazquez and Korven’s scores
bring great presence to their respective films but the real contest was between
Howard’s amazing Fantastic Beasts and Johannsson’s phenomenal Arrival scores
which were some of the best scores I heard all year. It is Howard who melds different styles of
music to bring a more period aspect to the Harry Potter franchise that you
never even knew could be there. Without
his score you would probably forget you were even watching a period film, so
FANTASTIC BEASTS & WHERE TO FIND THEM wins the 2016 REAL CONTENDER AWARD!
BEST CINEMATOGRAPHY
*Haris Zambarloukos, Eye In the Sky
*Eliot Davis, Birth of a Nation
*Jarin Blaschke, The Witch
*Bradford Young, Arrival
*Oscar Faura, A Monster Calls
Eye in the Sky and Birth of a Nation were front runners for
me for a very long time as they displayed some amazing cinematography to craft
their stories. With genre films such as
A Monster Calls and The Witch, the cinematography becomes a character to draw
you into the story but it is with Yong’s superb work on Arrival that truly
shines not only in the sequences inside the alien spacecraft and on the ground
but also the flashbacks which are a character in the film itself. ARRIVAL wins the 2016 REAL CONTENDER AWARD!
BEST ADAPTED SCREENPLAY
*Arrival, Screenplay by Eric Heisserer
*A Monster Calls, Screenplay by Patrick Ness
*Fences, Screenplay by August Wilson
This was a tough category as all three films were fantastic
but it is with Fences that I thought had the toughest job translating from
source material to film since it was much of a single location and the dialogue
played a key element in dramatizing the story for an audience. The written word is never as powerful as it
is in this film; therefore, FENCES wins the 2016 REAL CONTENDER AWARD!
BEST ORIGINAL SCREENPLAY
*The Witch, Screenplay by Robert Eggers
*Equity, Screenplay by Amy Fox
*Fantastic Beasts & Where to Find Them, Screenplay by
J.K. Rowling
*Birth of a Nation, Screenplay by Nate Parker
*Elvis & Nixon, Screenplay by Joey Sagal & Hanala
Sagal & Cary Elwis
The hard truth of the fact is that Elvis & Nixon, Birth
of a Nation, and Fantastic Beasts would not have been nearly as powerful of
films without the contributions of the amazing casts. These films work because of the ensemble and
not necessarily because of the scripts.
In regards to The Witch, less is more as the story is key to the film
but not necessarily as powerful as many of the film’s other chief
elements. It is with Equity where the
script just bleeds brilliance and smart and edgy like an Aaron Sorkin film and
because the cast is mostly made up of unknowns and character actors it makes
the script that much more powerful.
EQUITY wins the 2016 REAL CONTENDER AWARD!
BEST FOREIGN LANGUAGE FILM
*The Wailing (South Korea)
*A Map Against the World (South Korea)
*Train to Busan (South Korea)
*Age of Shadows (South Korea)
*Tunnel (South Korea)
Okay, so this category is a little biased as all the films
come from South Korea but I did see films from other countries, just these
films were the best. This is a wild
variety as well from the period thriller Age of Shadows to the drama Tunnel and
A Map Against the World to the horrors of The Wailing and Train to Busan but it
is A Map Against the World that truly shines among all others. A Map Against the World was an epic film
about a person who never knew he’d become so epic. A drama that’s an emotional journey for the
main character as well as the audience.
A MAP AGAINST THE WORLD wins the 2016 REAL CONTENDER AWARD!
BEST SUPPORTING ACTOR
*John Goodman, 10 Cloverfield Lane
*Ralph Fiennes, A Bigger Splash
*Barkhad Abdi, Eye in the Sky
*James Purefoy, Equity
*Luke Evans, High-Rise
Although all the actors in this category gave great
performances the real contest was between Fiennes, Goodman, and Abdi which gave
great performances. People will remember
these performances more than the films themselves. It was Abdi’s performance in Eye in the Sky
that stayed with me all year long as one of the best I’d seen throughout the
year. Most of the film’s success hinges
on him which is why BARKHAD ABDI wins the 2016 REAL CONTENDER AWARD!
BEST SUPPORTING ACTRESS
*Viola Davis, Fences
*Alysia Reiner, Equity
*Margot Robbie, Suicide Squad
*Samantha Morton, Fantastic Beasts & Where to Find Them
*Eva Green, Miss Peregrine’s Home for Peculiar Children
I loved the
performances of all the women on this list but the real competition was between
Davis and Morton who gave cringe worthy performances in each of their
respective films. You have no idea how
hard it was to choose between these two women and these two performances but
Davis edges out Morton for the degree to which she put her heart and soul into
the film (you can see the spit come her mouth and the snot from her nose). VIOLA DAVIS wins the 2016 REAL CONTENDER
AWARD!
BEST ACTOR
*Nate Parker, Birth of a Nation
*Michael Shannon, Elvis & Nixon
*Eddie Redmayne, Fantastic Beasts & Where to Find Them
*Denzel Washington, Fences
*Seung-Won Cha, A Map Against the World
This is another tough category as Washington gave a great
dramatic performance and Shannon gave an equally compelling comedic
performance. Parker went all the way
with his performance (maybe even a little too far) but it really boils down to
Redmayne and Cha who give each of their characters so much pathos that they
shine over everyone else. Cha comes out
on top due to the tragic nature of his character’s real life story and the fact
that he has to balance comedy with drama with adventure all within the same
film and he does it seamlessly.
SEUNG-WON CHA wins 2016 REAL CONTENDER AWARD!
BEST ACTRESS
*Tilda Swinton, A Bigger Splash
*Amy Adams, Arrival
*Amy Gunn, Equity
*Anya Taylor-Joy, The Witch
*Blake Lively, The Shallows
Taylor-Joy came out of nowhere with her performance in The
Witch and I look forward to seeing her in more films (like her standout
performance in this year’s Split) and Lively gives the best performance of her
career in a film where the camera is on her the entire time; both actors have
so much to offer in future roles. Gunn
was also someone I wasn’t familiar with before seeing her in Equity but now I
will look out for her in other films.
Adams is one of my favorite actresses right now and I’ll watch her in
anything because she always gives 150% to every role but it is Swinton in her
almost completely mute role that stands out among the rest. Swinton holds her own even when she can’t
speak as much of her performance is through facial expressions and body
language, therefore TILDA SWINTON wins the 2016 REAL CONTENDER AWARD!
BEST DIRECTOR
*Nate Parker, Birth of a Nation
*Meera Menon, Equity
*Fences, Denzel Washington
*Denis Villeneuve, Arrival
*Woo-Suk Kang, A Map Against the World
This represents some of the best films of 2016 (excluding
all those films I have yet to see) and there isn’t a bad film among them which
is why it is so hard to choose the best among them. Birth of a Nation was amazing but not a film
I’ll particularly watch over and over again.
Equity is that film that’s extremely smart and intelligent that you must
be in the mood for (but when you are it is fantastic). The same can be said for Fences which is
amazing because of the performances and not necessarily for all the other
elements in the film which is why the true contest is between Arrival and A Map
Against the World. Because of the sheer
scope of the film and the fact that the Kang had to balance so many different
tones and genres within the same film, WOO-SUK KANG wins the 2016 REAL
CONTENDER AWARD!
BEST FILM
*A Bigger Splash
*Birth of a Nation
*Equity
*Fences
*Arrival
Since A Map Against the World already won Best Foreign Language
Film it should be as no surprise that Arrival would come on top in this
category. This presents a sci-fi epic
that remembers to always be character based and grounded. These are the elements that will make
audiences return to the film time and time again. ARRIVAL wins the 2016 REAL CONTENDER AWARD!
***
Well, I hope you enjoyed my list. I’m sorry that I couldn’t get to all of the
great films of 2016 (as I don’t get any free screeners) but I encourage
everyone to make their own lists and present them to the world. Your opinion is just as valid as anyone else’s
and you’ll have fun putting together your own lists of favorites. Until next year, enjoy great films wherever
you can find them.
FYI – there was no Animation category because the only 2016
animated film I saw was Batman: The Killing Joke.
