******

Quote:

Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha."

- Kevin James Breaux
Showing posts with label red. Show all posts
Showing posts with label red. Show all posts

Friday, April 22, 2016

Film Review: LITTLE DEAD ROTTING HOOD (2016)



The story of Little Red Riding Hood is as old as it has been re-interpreted by different story tellers and film makers and even been used several times as the basis for a werewolf film which is where Little Dead Rotting Hood (2016) comes in.  It follows Samantha (Bianca A. Santos) who has been recently sacrificed by her Grandmother (Marina Sirtis of Star Trek: The Next Generation) in order to prepare for the coming epic battle of werewolves verses humans. 

Trapped in the middle of all this is Danny (Romeo Miller) who is searching for his girlfriend Samantha when he discovers what she’s become.  With the help of the local Sheriff Adam (Eric Balfour) the two must find a way to stop the werewolves from rising and killing all the humans in their town but it won’t be without the help of the supernatural Samantha whose sacrifice has made her into something that even werewolves fear.
The film is saddled with an unimaginative script and bad CGI, which wouldn’t be all that bad except its really bad CGI.  The only thing that’s remotely interesting is the story about Balfour’s Sheriff whose search for the truth is actually an interesting one and he does a great job as an actor in the role.  It’s hard to believe that he’s so good yet everyone else around him is so mediocre (if not all out bad).  It’s good to see Balfour giving 110% even when the film doesn’t deserve it.

A film really only (barely) for the curious and the werewolf fans.


Wednesday, March 25, 2015

"Rants & Ravings About Horror" - Week 12: “Horror in Space”



Week 12: “Horror in Space”
Last week I talked about having watched John Carpenter’s Ghost of Mars (2001) but what I failed to mention was that it started a domino effect and I ended up watching Red Planet (2000) and Supernova (2000) as well.  What you may also not know is that I saw all of these at the theater and enjoyed them like they were the greatest films ever made.  Unfortunately, time has not been kind to any of them.

I won’t go into the details of Ghosts of Mars again (you’ll have to go back to last week’s column for that) but let’s start off with the Val Kilmer as “space janitor” movie Red Planet.  This film had the greatest chance of being a great film.  It had a suspenseful premise about a group of astronauts sent to discover a mystery on Mars that could save humanity.  Their ship has a malfunction forcing most of them to crash land on Mars where hope vanishes when it is not what they were expecting and they are hunted by a rogue robot.  It’s action packed and its funny and did I mention it had a robot (because robots make all films better)?  Unfortunately, it was released after the abysmal Mission to Mars tanked at the Box Office.  Studio heads thought that they needed to retool the film and add in more action while taking out all the philosophical ideas and things that made it unique.  The end result was a film that was a mishmash of smart space travel movie mixed with action and suspense and even horror in the disguise of an alien creature which really only shows up in the final third of the film.  It was a film that tried to speak to everyone but spoke to no one.  On a production budget of $80 million it grossed only $33 million worldwide and was a Box Office dud in a huge way.   Mission to Mars may have cost $100 million to produce but it at least made $110 million worldwide.  Things being as they was (I saw both at the theater) I hated Mission to Mars but loved Red Planet.  It wasn’t until the film found its way on DVD that I realized just how much of the movie was truly cut out as all the important and thought provoking scenes that glued the themes and ideas together were all cut out and replaced with dull action sequences (although I still like the robot).  Red Planet had a charm that few other films about Mars ever had…at least that’s what I used to think.  Watching it now, I realize that it is a good-bad movie that aged poorly.

I just have to say I loved the trailer for Supernova when I first saw it.  I loved the music.  I loved the way it was edited. And it had Angela Bassett and James Spader in it not to mention one of my childhood favorite actors Lou Diamond Phillips!  This had to be the greatest film ever made.  Then…I heard that director Walter Hill took his name off the film (to Thomas Lee) and the film was re-edited and turned into a bastard of its former self.  This did not deter me from seeing it on opening night.  Spader was the man and Bassett could do no wrong!  Well…almost no wrong.  The film was a mess with uninspired action that looked childish compared to other Hill movies and Spader was more than usually “wooden” in his performance.  This still didn’t stop me from loving the film because I do love a good cheesy bad film and there is little to nothing good about this film.  The other thing I hated about the film is the fact that some scenes that were in the trailer and that I had read about in Fangoria magazine were nowhere to be found in the final film.  You would need to watch the special features and deleted scenes on the DVD to see all that.  This was a horrible film…but I still loved it.  This was a film that was so bad it was good because all the actors seemed to be having fun making the film (even the “wooden” Spader) and there is actually a fair amount of sex and sexual tension throughout the film.  When I watched it again the other day I was even more aware of the sexual themes of the film and just how much it permeates through every character and pore of the film.  This film even has a robot in it that plays an important role to the plot of the film.  No one will ever claim that this is a good movie because it’s barely a watchable film that I’m sure all the actors try to forget is on their resume.  This film cost an estimated $90 million to produce and only grossed $14.8 million worldwide.  What do you expect from a film in which no one wanted to be released.

Now having seen Ghosts of Mars, Red Planet, and Supernova again you’re probably wondering, “Why?”  Well, to be honest, they’re all a hell of a lot of fun and a triple feature of bad fun sci-fi horror films is exactly what a person needs sometimes.  I own all three and they’re sitting on the shelf now gathering dust until I decide to once again get into the sci-fi horror mood.  I could have watched Alien (1979) or Species (1995) or Pitch Black (2000) or Event Horizon (1997) but I consider all of those to actually be good and sometimes you just want to sit back and turn the brain off and watch a bad movie.

Saturday, November 8, 2014

Book Review: INSOMNIA by Katarina Sokolova



Katarina Sokolova’s Insomnia is a mixture of amazing artwork and vivid prose poetry.  Sokolova’s artwork is very much rooted in erotic fantasy and fables.  Her photoshoped artwork is extremely detailed and vivid in the use of her color palette which shifts depending upon the piece.  For her “Masks and Angels” she relies on her light blue and lavender pastels which bolds well for her three images that accompany this piece. 

Sokolova is also very fond of her use of reds (in pieces like “Chio-Chio-San” and “Summer Ends” and “Red Rose Petals”) or blues (in “The Odor of Feelings” and “The Colors of My Life”).  What is most appealing is her perspective on love and life in such pieces as “Choosing Oneself” and “About Love on the Inside” and “A Woman’s Loneliness” and “Love and Pain.”  Sokolova’s skill in using the artwork to accent the prose (and vice versa) is what makes her book so captivating.

Her artwork will appeal to both those looking for great artwork as well as those seeking out great prose writing as she has a very good handle of both.  This is a great addition to any one’s collection of art books.