******

Quote:

Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha."

- Kevin James Breaux
Showing posts with label Toxic Avenger. Show all posts
Showing posts with label Toxic Avenger. Show all posts

Monday, April 6, 2020

Film Review: FREAKED (1993)


Actor Alex Winter is best known for his work in The Lost Boys (1987) and the two Bill & Ted films so most people don’t realized that he’s also a writer and director.  After writing and directing several short films he and Tom Stern co-directed the oddity Freaked (1993).  Winter stars as Ricky Coogan, a famous child actor down on his luck who is now prompted to be the spokesperson for a toxic waste company in South America.  With his most trusted friend Ernie (Michael Stoyanov) and activist Julie (Megan Ward), Ricky finds himself at the laboratory of Elijah Skuggs (Randy Quaid) who has been using the toxic waste to create and experiment on people whom unwillingly show up at his property.  Ricky, Ernie, and Julie soon find themselves Skuggs next freaks in his crazy menagerie of toxic created monstrosities that are kept in a barn out of public view.

Refusing to bow down to Skuggs rules and live the remainder of his life as a victim of Skuggs’ cruel experiments, Ricky hatches a plan to get all of his fellow freaks together to return them to normal and escape from Skuggs’ laboratory.

Winter also writes with Stren and Tim Burns this odd comedy that’s similar in tone to his Bill & Ted films.  The film was ignored upon initial release but has garnered a huge cult following due to the unusual story and eccentric cast of characters played by such names as Mr. T, Bobcat Goldthwait, Brook Shields, and William Sadler, to name a few.  The makeup effects are quite good for the time although heavy stylized for the this type of film.

Freaked is not a film for everyone as it is a product of its time with commentary on toxic waste usage and teen stardom but for people who love The Toxic Avenger this film is right up your alley.

Saturday, February 18, 2017

2016 YEAR IN REVIEW - "THEATER IN REVIEW"

THEATER IN REVIEW

2016 was a massive year for me and going to live theater shows and events as I saw more than twenty shows!  I’ve discovered over my journey in 2016 that I love to go see live events.  I’ve managed to go to many different venues that I didn’t even know existed from The Legacy Theatre (where I saw the musical “1776: The Musical”) and The Fern Theatre Company (who put on a magnificent production of Shakespeare’s “Lear” with a whole female cast in an outdoor venue) to the Classic Center Theatre (where I saw “42nd Street”).  I also happened to spend a lot of time in 2016 at Atlanta Comedy Theatre watching some amazing comedians such as Rodney Perry, Jonathan Slocumb, K-Dubb & Tyler Chronicles, and Tony Rock, to name a few.

Working in the theater industry, I had never actually taken time to watch many of the shows that were “classics” but 2016 was the start of something new and different for me that I hope will continue for years to come.

In addition to the all-female version of “Lear” I also saw another version of Shakespeare’s “Hamlet” put on by the New Theatre in the Square in which the roles were all gender swapped.  It was unique seeing a production of a female Hamlet.  Although the New Theatre in the Square doesn’t have the same production values of its predecessor I must give it to them for putting together a unique production and hope that future productions will be just as unique.  Early in 2016, I also managed to capture a production of “Driving Miss Daisy” from the New Theatre in the Square which had its inspiration more anchored in the film version.  I’ve seen this production before done better but I have to hand it to them for putting great details into the set for this production if nothing else.  I also managed to take part in one of their T.G.I.F. Comedy Shows but since this was a mixed bag of local talent the less said about this one the better.

I managed to see two shows at Horizon Theatre this year with “Sex With Strangers” and “The Toxic Avenger” musical.  Both were well done productions but being the horror fan that I am I enjoyed “The Toxic Avenger” immensely as (surprisingly) the cult film fits great in the musical format. 
In addition to the traditional Broadway musicals of “1776” and “42nd Street” (both of which were excellent productions), I also saw “In the Heights” (an Aurora Theatre and Theatrical Outfit production) and “Scrooge: The Musical” (from OnStage Atlanta Theatre Company).  I enjoyed both productions but have to say that “In The Heights” is probably my favorite musical of the year.  This was an amazing production from all production and casting fronts and I’m glad I could see it.

On the smaller scale of productions, I saw Alliance Theatre’s production of “Moby Dick” which had an extremely long first act followed by an amazing second act (unfortunately I witnessed several people walk out during Intermission never to return).  On the smaller front I saw “Blue Butterfly: The Black Ballerina” (from Marrietta Performing Arts Center) which put on a very good production but I was more impressed with their casting which they seem to go with the best actor for the job and not the best actor who looks the part; this idea of color blind casting helped them to put on a great production despite any other limitations that the production may have had.   I also saw the “World Premiere” of “Farming Beauty” (from Center Stage North Theatre); it seems that this theatre company loves to produce plays from up and coming talent and I’m more than willing to help out
whenever I can.

I also managed to catch the productions of two one-man plays.  The first is “Nobody: The Story of Broadway’s Bert Williams” (performed at Stockbridge Community Arts Center but was a touring production).  The play used projection and a detailed single set location to present the true story of Bert Williams who was the first African American to take a stab at Broadway.  Next up I saw the production of “DAR HE: The Story of Emmitt Till” (another touring production staged at The Centre for Performing & Visual Arts of Cowete County) which I originally saw the film version of but wanted to see the live version since the main star was in both; this was a great production where is was interesting to see where the film originated from and what needed to be changed to transition from play to screen.

In terms of live events, I was able to see Enduro Cross (at Infinite Energy Arena) and the concert B.A.P. Live on Earth 2016 World Tour (at Cobb Energy Performing Arts Center) but I was more impressed with the lone magician show I witnessed – “Joseph Lozoff: Life Is Magic” (at The Centre for Performing & Visual Arts of Cowete County).  I had never seen a “live” magician performance and I was impressed by just how much I didn’t know about the craft and arts of magic.  I want to see more magicians in the future.
One of the most impressive shows I saw all year was Cirque Du Soleil’s
“Toruk: The First Flight” (at Infinite Energy Arena) which was inspired by James Cameron’s Avatar film.  This happened to be my very first live Cirque show and it did impress.  I am now a Cirque fan and hope to see every show that comes to Georgia as I now want to see them all “live”.

***


All in all, 2016 was a great year for seeing a variety of different shows and events more than I’ve ever seen in any given year my entire life.  I’ve discovered that there are so many venues out there putting on great shows and events and that I (and by extension You and every one else you know) should try to see and experience as many of them as I can.  I’m pretty open when it comes to live events and in addition to loving to see comedians perform live, I also love watching magic shows and prefer my musicals live rather than as a film.

Thursday, February 18, 2016

RANTS & RAVINGS ABOUT HORROR - “The Toxic Avenger Musical at Horizon Theatre!”

For most modern audiences  Lloyd Kaufman’s Toxic Avenger films (four in all) are seen as these campy and outrageous films that can’t possibly be taken seriously because of their unique blend of over the top violence and humor.  Despite all of this the films have remained a pop culture phenomenon as the title character Toxie (as he is known) has appeared in comics and had his own animated series as well as toys and other memorabilia.  It’s not at all surprising that he would get his own musical and Horizon Theatre (Atlanta, Georgia) is the latest theatre to bring the musical to life.

Based on the book and lyrics by Joe Dipietro and music & lyrics by David Bryan, this version of the story finds Melvin Ferd III (Nick Arapoglou) falling for the blind Sarah (Julissa Sabino), who wants nothing to do with him.  When Melvin comes into contact with toxic waste due to a run in with two thugs he is turned into the Toxic Avenger who must battle the evils of Mayor Babs Belgoody (Leslie Bellair) and her henchmen all while getting Sarah to fall in love with him.  The show is a love story of toxic proportions held together by some amazing songs and a very versatile cast.  With toxic waste and other criminal activities taking over Tromaville, Toxie must save his home town before it is too late.

The show is directed by Heidi McKerley with musical direction by S. Renee Clark and they’ve put together a show with a lot of energy and vibrancy.  The material translates (surprisingly) very easily to the musical genre and the entire cast is amazing together.  They have put an excellent cast together to do Kaufman’s creation proud.

Moriah and Isabel Curley-Clay once again provide another fantastic scenic design as well as are the costume designers.  The set brings to life a small part of Tromaville on two levels including a place on the second level for the live musicians.  Mary Parker provides an equally captivating lighting design that brings Toxic’s vibrant and colorful world to musical life.



Horizon Theatre constantly takes chances with the musicals that they choose and this is an interesting choice to open their season with.  Several changes have been made to the story for it to translate to the musical and live performance world but these are minor and will not take away from fans of the films.  This is a great show to start the season off and get audiences excited for everything else yet to come.  Whether you’re familiar with The Toxic Avenger or not Horizon Theatre’s production is not one to be missed!




For more info about Horizon Theatre and to purchase tickets you can visit them at www.horizontheatre.com or call them at 404.584.7450.  Photos courtesy of Horizon Theatre.

Thursday, June 25, 2015

"Rants & Ravings About Horror" - Week 24: “The Horror of Eli Roth”



Week 24: “The Horror of Eli Roth”
On the eve of such great news that The Green Inferno (2014) is finally getting a theatrical release after being shelved at the last minute last year and the excellent news that he is in pre-production on the long stuck in development hell adaptation of the hugely success novel Meg (novel by Steve Alten), what better time is there than now to take a look at the films of writer/director Eli Roth?

Although he started as an actor (uncredited) in various films like The Mirror Has Two Faces (1996) and The Lost World: Jurassic Park (1997), it was his debut feature Cabin Fever (2002) which really put him on the map.  He also wrote and acted in the film about four friends who encounter a stranger suffering from a flesh eating virus which not only threatens their own lives but their friendships as well.  The low budget horror film was filled with plenty of gore and sex and ushered in the so-called “torture porn” genre (despite there being more extreme films before it).  It was a huge success especially considering the low budget of the film.

Before going back behind the camera Roth decided to continue on the sidelines as an actor in Tales from the Crapper (2004) and 2001 Maniacs (2005).  Despite elevating to director he also managed to star in Terror Firmer (1999) and Citizen Toxie: The Toxic Avenger IV (2000), so, you should see, Roth’s passion would remain in front of the camera as well as behind it.  His next film was Hostel (2005) which shocked the industry with its uncompromising violence and its commentary on the world of underground killing for money.  Like his previous film this is a gritty look at two American tourists and their friend who run afoul of a murder syndicate.  This film was unlike anything American audiences had ever seen and it was extremely successful with more mainstream audiences.

Roth quickly followed up the success of Hostel and the good will and popularity of his faux trailer “Thanksgiving” (part of the film Grindhouse) with Hostel: Part II (2007).  This was a much more refined film in terms of screenplay, style, art direction, and execution.  This was the film that would show audiences that Roth was becoming a better director with style and something to say.  Unfortunately, the torture porn cycle of films was quickly dying down and this was a less successful film than its predecessor.

Following Hostel: Part II’s poor performance at the Box Office Roth would turn his talents to producing, writing and acting.  Over the next several years he produced The Last Exorcism (2010), Aftershock (2012) – which he also acted in, The Man with the Iron Fist (2012) – which he also wrote, The Last Exorcism Part II (2013), The Sacrament (2013) and most recently Clown (2014) – which he also acted in.  As an actor he was also in Death Proof (part of the film Grindhouse), Inglourious Basterds (2009), Piranha 3D (2010), and Rock of Ages (2012).  As a writer he also wrote The Green Inferno in addition to The Man with the Iron Fists.  

The Green Inferno would be Roth’s next feature film behind the camera more than five years after the release of his last film.  This would be a return to form for the director who was now tackling the cannibal genre of horror.  Unfortunately, for Roth and audiences the film would be shelved before seeing release in 2014.  This did not deter the visionary director who forged ahead with his next film Knock Knock (2015) which is also scheduled to be released this year.  This film stars Keanu Reeves and is a big departure for Roth whose films usually have character actors or no stars at all.  The film is getting great reviews from early screenings and should propel him to more mainstream films, which is where his latest project Meg comes into play.  Based on the bestselling novel Steve Alten it is believed that Roth will finally get this film out of development hell which is where it has been since the rights were purchased the year the novel was originally published.

Roth’s career is something he redefines at any given moment.  In addition to acting, writing, and producing films he executive produces several television series and he’s also created a horror attraction in Las Vegas, among many other ventures.  The one common element between all of Roth’s many ventures is that he loves horror and as an audience member we can be assured that he will never be predictable and always be innovative.