******

Quote:

Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha."

- Kevin James Breaux
Showing posts with label documentary. Show all posts
Showing posts with label documentary. Show all posts

Wednesday, April 15, 2020

Film Review: TO HELL AND BACK: THE KANE HODDER STORY (2017)


Documentaries that focused on a single individual can fall into two camps – one is that it’s too pretentious to actually say something serious about the subject or two it tells a well-rounded and comprehensive look at the subject’s life and career both the good and the bad.  Unfortunately, the second one only actually happens when the subject has already passed on.  So it is with great pleasure that To Hell and Back: The Kane Hodder Story (2017) belongs in the second type and Kodder is very much still alive.

For those of you who are not familiar of who Kane Hodder is (and I doubt there is a single horror fan who doesn’t know who he is), Hodder is a stunt actor/stunt coordinator/actor most famous most famous for playing the immortal Jason Voorhees in four of the Friday the 13th films as well as the character of Victory Crowley in the four Hatchet films (the forth film called simply Victor Crowley).  In addition to this Hodder has worked on a ton of films including Demolition Man (1993), House (1985), Se7en (1995), and Spawn (1997), to name a small few of the films. 

In this film Hodder goes into intimate details about being a young child who was abused to an early accident where he was horrendously burned to his current recovery and insistent on always helping others.  This is reiterated by a huge cast of actors and fellow crew members who relate their stories of working with Hodder on very productions.  Some of the people featured included John Carl Buechler, Sean S. Cunningham, Bruce Campbell, Robert England, Adam Green, and Bill Moseley, with is just a small sampling of the people interviewed.

Directed by Derek Dennis Herbert, this could have easily been a talking heads documentary about Hodder but the stories these people tell show a brighter like on Hodder as a person and Hodder’s own recollections shed a light on how he overcame so many elements in his life that would have crippled other people.  This is not just a film about the man and his work but a film that gets into the deeper character of a man who has continuously faced challenges head on and never letting anyone or anything decide his own fate other than himself.

This is an amazing story of an amazing individual that has had a profound effect on the horror genre and horror fans in general and this is a great film that expertly separates the myth from the man.



Saturday, January 30, 2016

2015 YEAR END REVIEW: “At the Movies”



2015 was a big year for me as I viewed a whopping 274 films for the first time; this number does not reflect any films that I may have a repeat viewing nor any television series.  Over the course of my own personal evaluation I’ve realized that I watched a lot of horror films (as to be expected) but I also watched a lot of documentary films.  Another surprise for me was that I watched so few animation films.  I’ll try to keep this short by hitting upon the highlights and looking at 2015 “by the numbers.” 

First off I watched twenty-seven films theatrically with five of those films in 3D.  This may surprise many people that may only go to the theater 3-5 a year much less see five films in 3D.  I actually enjoy watching films in 3D so I try to see some of the bigger films in this format (i.e. Avengers: Age of Ultron, Jurassic World, Mad Max: Fury Road, Paranormal Activity: The Ghost Dimension, and Terminator: Genysis).  My theatrical highlights are as follows 1)Mad Max: Fury Road, 2)Spotlight, 3)Ex Machina, 4)Creed, 5)Crimson Peak, 6)The Gift, 7)The Visit, 8)A Walk in the Woods, 9)Insidious: Chapter 3, and 10)Unfriended.  My favorite film in 3D was Mad Max: Fury Road with Paranormal Activity: The Ghost Dimension being a close second (although the film itself was just “okay” viewing it in 3D was worth it).

I watched fifty-seven films on Netflix all of various genres but most importantly this is how I viewed over 85% of my documentaries.  Netflix has an amazing selection of documentary films which is one of the main reasons I use the service.  I also viewed a ton of television series here as well but since I wasn’t keeping track of those I don’t have specific numbers.  I watched one hundred eighty-four films via DVD/Blu-Ray and only five films by other means (mostly You Tube or film festival).

A lot of what I watched was via DVD/BD but Netflix is my second go-to way to view films.  There are many other outlets to view films such as Vimeo, Hulu, and Amazon, to name a few, but these are not outlets I chose to use last year.  I guess I’ll have to change that for this year.

*****
One of the reasons why I’ve been keeping track of all this is to see how much my viewing habits of films I missed from the previous years will have improved.  Part of me spent last year not only watching films released in 2015 but also catching up with films that I had missed from the previous year.  





I ended up viewing twenty-eight films released in 2015 most of which I watched theatrically.  I spent more time catching up with films released in 2014 with forty-nine.  Netflix has made it easier to catch up with films I’ve missed especially in older decades.  My favorite films to catch up with from 2014 were 1)The Babadook, 2)Cake, 3)Invaluable: The True Story of an Epic Artist, 4)Maps to the Stars, 5)Cold in July, 6)The Judge, 7)Dead Snow 2: Red Vs Dead, 8)Divergent, 9)Blood Glacier, and 10)3 Days to Kill.  I watched eighty-two films from the ‘10s and forty-five from the ‘00s but what’s more important are the films from the former decades as I tried to continuously catch up on films that I had missed or were suggested to me by friends.  

The ‘90s were a great year for me growing up but there were so few films that I needed to catch up with (only eighteen) and the same goes for the ‘80s (eleven).  In the decade of my birth the ‘70s I caught up with seventeen films that I happened to have missed.  In the decades preceding the ‘70s I viewed twenty-one films.  The major highlights of these decades are Hiroshima Mon Amour (1959), The Seventh Seal (1957), Who’s Afraid of Virginia Woolf? (1966), I Married a Witch (1942), Harvey (1950), The Long, Hot Summer (1958), Strike (1925), Breathless (1960), The Epic of Everest (1924), and Stormy Weather (1943).

With each passing year my list of films that I need to watch dwindles and with Netflix it’s become easier and easier so I’m sure that in 2016 I’ll have an even better time finding new films that I may have missed.

*****
In terms of genre, horror is the one that exceeded all others with having watched one hundred and fourteen of which fifteen were released in 2015.  I won’t go into detail about my favorite horror films of 2015 (as that will be saved for another article) but I do want to mention some of the highlights from the years previous to 2015 – The Babdook (2014), Here Comes the Devil (2012), Don’t Look Now (1973), Thale (2012), Byzantium (2013), The Last Circus (2010), Under the Skin (2013), The Sentinel (1977), Horns (2013), Dead Snow 2: Red Vs Dead (2014), The Tall Man (2012), Rosewood Lane (2011), Maniac (2012), Blood Glacier (2014) and Black Rock (2013).  

Documentaries made up thirty-four of the films viewed but surprisingly none of them were released in 2015.  Some of these highlights included – Blackfish (2013), Jiro Dreams of Sushi (2011), Invaluable: The True Story of an Epic Artist (2014), Carl Th. Dreyer: My Metier (1995), Birth of the Living Dead (2013), Stanley Kubrick: A Life in Pictures (2001), The Central Park Five (2012), Crips & Bloods: Made in America (2008), Living on One Dollar (2013), and The Epic of Everest (1924).  


 
As mentioned earlier I viewed only seven animated films none of which were released in 2015.  Of these that I viewed only two stand out which are Despicable Me (2010) and The Secret World of Arriety (2010).




*****
As you can see I viewed a large variety of films in 2015.  If you’re wondering about the other genres, I didn’t really track them but I’ll post a complete list so you can have a clearer idea.  I tend to watch all types of films from all decades and genres and many times people suggest films to me.  I also love the classics and black and white films and many days I’ll just watch a bunch of those types of films.  I think that all films and genres have merit if you stop to take a few moments to explore them all.  I’ll certainly continue to do so and I hope that having read this article you will to.

Thursday, November 6, 2014

Film Review: PARANORMAL ASYLUM: THE REVENGE OF TYPHOID MARY (2013)



Found footage horror doesn’t get much worse than Paranormal Asylum: The Revenge of Typhoid Mary (2013).  Two film makers on their last effort to do something with their careers decide to do a documentary on the legendary Typhoid Mary.  As their investigation delves deeper and they come across more people that seem to be connected to Mary who spent time in an asylum and was subject to psychotropic drugs, their own sanity seems to falter as reality seems to slowly drift away. 

Written by Fred Edison there isn’t much in this film that hasn’t been done in other found footage films only this film is more overt by giving glows and halos to people and having the video footage flicker constantly.  This all actually takes you out of the “reality” of the film (the opposite affect mind you that these style films should thrive for).  The film also suffers from subpar acting that you never believe come from real people but just bad actors.  This is actually really common with found footage indie films that believe that inexperienced and young actors can carry a film.  What these films actually require are the best actors that can act like “real” people.

The biggest travesty of the film is the uninteresting characters that can’t carry the film which is what a found footage film desperately needs.  As directed by Nimrod Zalmanowitz the film suffers from relying too much on the “jump scare” rather than creating a truly creepy atmosphere, so, it plays for the lowest common denominator and will only appeal to that (small) audience. 

There are plenty of better films out there that you can spend time with rather than this dud.