******

Quote:

Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha."

- Kevin James Breaux
Showing posts with label collection. Show all posts
Showing posts with label collection. Show all posts

Saturday, April 4, 2015

"Rants & Ravings About Horror" - Week 13: “Dump Bin Invasion!”



Week 13: “Dump Bin Invasion!”

I don’t know about you but I buy a lot of those $5 dump bin movie sets.  You can find them at Walmart, Target, K-Mart and just about every department store and gas station that sells DVDs.  There are horror collections and sci-fi collections and film noir collections and even comedies and musicals but more often than not there are a TON more horror collections than all other genres.  There are two different types of dump bin DVD collections.  The most common are the sets that include all the public domain films that you’ve seen before like Night of the Living Dead (1968), Carnival of Souls (1962), or Little Shop of Horrors (1960), to name a few.  The other sets include films the “common” man has for the most part never heard of before like The Familiar (2009), KillerKiller (2007), or Occupied (2011), to name a small few.  This second set of DVDs is mostly made up of independent films and TV movies no one remembers or sequels to films no one cares about - i.e. Halloween: The Curse of Michael Myers (1995), Howling IV: The Original (1988), or Hello Mary Lou: Prom Night 2 (1987), to name a few.

If you’ve purchased one of these then you already know that many times the films are pretty bad and presented in a “full screen” version and has not been digitally mastered.  Some of these are bottom of the barrel presentations (especially films in the public domain).  Knowing this then, why do we bother purchasing these films and better yet why do studios and distributors continue to make them?

The simplest reason is that many of these films have never seen DVD release until now and in this current climate of declining DVD/BD sells presenting a collection of previously unreleased films on DVD for the first time is a major selling point.  The other simple fact is that studios know that not all the films that they own in their library are good or even remembered at all.  This is a low cost way of getting a lot of those films back into the public.    Another reason is that many DVDs have fallen into the OOP (Out of print) phase of their existence which means there is little to no interest in the film except from cult fans (like myself).  I purchased one collection of 8 films just so I could add C.H.U.D. 2: Bud the Chud (1989) to my collection.  I did the same thing with 976-Evil 2 (1991).  Neither film has had an individual release and for good reason as neither is any good but I love the originals of the series and having the sequel just adds to my collection.  I’m sure the studio that holds onto the rights for these films had no idea what to do with them either and was not willing to put any good money into releasing them individually.  This is where the companies of Echo Bridge Home Entertainment and Mill Creek Entertainment come in.

Echo Bridge Home Entertainment and Mill Creek Entertainment and two of the biggest distributors of these bargain bin film collections.  You’ll recognize their logos on most of the collections that you come across (including the boxed sets of most of those old TV series as well).  They’ve made it big business to continually distribute forgotten films to DVD.  You may recognize the titles – Gore House Greats Collection, American Horror Stories, Drive-In Cult Classics, Freakshow Cinema, Big Box of Horror, Midnight Horror or 8 Horror Movies.  The titles for most of these collections are fairly generic.

A lot of the times these collections share some of the same films so if you buy many of them you may have the same film several times.  This is the nature of these collections.  There may be one or two titles that you recognize immediately but then the rest are completely unknown to you.  This is a good and bad thing.  For people looking for good films…well, for the most part you’ve come to the wrong place but for those of you looking for some mindless entertainment then these collections are right up your alley.

I love bad films.  I enjoy bad films trying to be good films just as much as I love bad films that know they’re bad films (these are the most fun).  You’re going to get a bunch of bad films from these collections no matter what.  The great thing about sitting down and watching a film from the Freakshow Cinema collection or Drive-In Cult Classics collection is that the films are short and straight to the point and don’t try to be anything more than they are which means that their stories are pretty derivative but if you’re lucky the performances may be good or the cinematography might stand out or the musical score may be just what you wanted to hear.  For the most part, not everything about each of the films in the collection is horribly bad (although there are the occasional turd you just can’t polish no matter what).  There is the occasion where I envy an independent film because the story may be derivative but the cinematography really held the film together creating a very visually stunning film.  I’ve even come across a couple where the performances from the lead actors were phenomenal despite the crappy script and uninspired direction.  Then there are those that are so bad that they are good because they entertained the hell out of me from beginning to end (whether they meant to or not).  These are the surprises that I look for in these dump bin DVDs.

Now you won’t always come out with a film or two that are actually good (more often than not you won’t) but the true adventure is when you do and then you’ve found a film that you can recommend to others.

As an independent film maker I don’t set out to ever make a bad film but sometimes obstacles get in the way that are just too big to overcome and the film is compromised and doesn’t come out the way you originally envisioned.  Maybe the budget was too small to get the camera equipment you needed for that long dolly shot at the opening of the film or maybe your main actor got sick and had to be replaced just before filming or maybe there just wasn’t enough days in your shooting schedule to get everything done so a few pages had to be cut.  There are numerous ways a film can suddenly become compromised and for the most part it is some of these compromised films that end up on these dump bin DVDs.

Then again it could just be that all these major studios just have too many films in their library and have absolutely no idea what to do with them so they give them to the Mill Creeks and Echo Bridges out there for a small pittance and just hope for the best.  In the long run what does it really matter as long as we horror fans can add those C.H.U.D. 2’s and 976-Evil 2’s to our collections – FINALLY!

Thursday, February 5, 2015

“Rants & Ravings About Horror” - Week 5: “VHS Collecting For the Horror Fan”



Week 5: “VHS Collecting For the Horror Fan”

As we move ever so closer to an all-digital, world DVD and BD sells, for the most part, have dwindled year upon year except for maybe for us horror fans who continue to purchase Special Editions and Anniversary Editions of some of our favorite horror films.  Recently, a 30th Anniversary Edition of Ghostbusters I & II was released to BD.  The entire Halloween series was released in a massive 15 disc BD collection not to mention the long awaited Clive Barker’s Nightbreed: The Director’s Cut and such companies as The Criterion Collection, Scream Factory, Shout Factory, Kino Video, and Blue Underground are among some of the more boutique distributors who cater to horror fans. 

But what about all the long forgotten horror gems still left unreleased either to DVD or BD?  For every new version of Army of Darkness re-released to DVD/BD there are ten Willard (1971), Ben (1972), Amsterdamned (1988), and Tobe Hooper’s Night Terrors (1993) which can only be found on VHS.  This is a reason why the VHS secondary market thrives to this day.  For every ten films newly released to DVD or BD there are still another 100 films yet to be released whether they be films like Bog (1983) or Peter Jackson’s Forgotten Silver (1995).  To make matters worse there are also the plethora of OOP films like Watchers (1988) or Fright Night Part 2 (1988) whose DVD on the secondary market can command upwards of $80 or more.  Instead of shelling out this crazy amount of money for a single film many horror fans have continued to purchase VHS copies of some of their favorite films (or the strange oddity relegated to the VHS dump bin).

I’m a huge collector of horror films both from some of my favorite directors and even more of the obscure horror films and documentary specials like Transmutations (1985) and Clive Barker: The Art of Horror (1992).  A lot of television specials made their way to VHS but have been completely forgotten since then like Dracula in the Movies () and Dean R. Koonz’ Whispers (1990) and Servants of Twilight (1991).

As I continue to research more forgotten horror films I try to search them out whether they are on DVD/BD or still languishing on VHS.  My VHS collection continues to grow year over year.  For me, searching out horror films that I either didn’t know about growing up or haven’t seen since I was a kid is a huge joy.  Every year my list gets longer and longer but I still manage to cross many off from time to time.  My VHS films share the same space on my shelf with all my other films.

Now, collecting VHS, like collecting anything else, can take up a lot of shelf space.  One of the great things about DVD and BD are that they take up so little space but VHS tapes look so much better on display.  Besides the regular VHS style boxes there are the Big Boxes and clam shell boxes and Special Widescreen Hard Cases that make VHS tapes more appealing.  My Widescreen, Hard-cased Dawn of the Dead (1978) makes a great visual companion on the shelf with its DVD cousin and the rest of my George A. Romero films (it sits with my VHS Widescreen Editions of NOTLD: 30th Anniversary Edition and Season of the Witch).  My Special Edition of King Kong (1933) in a box that (still) roars when you press on Kong sits next to my Special Edition DVD Box Set (and the Peter Jackson remake).  Of great proud to me is my VHS screener copy of Rawhead Rex (1986), originally given to video stores to entice them to purchase more copies of the film for rental. 

On a non-horror film note I also have VHS copies of animation auteur Ralph Bakshi’s Coonskin (aka Streetfight - 1975) and the polarizing The Plague Dogs (1982).  Movies from all genres are still waiting legitimate DVD/BD release.  I’m always on the lookout for films from all genres that are hard to find.  Most of the films I find can usually be found on eBay or Amazon but collector editions of even VHS films can carry a hefty price tag.  I can still manage to find some used book stores and Goodwills that still have VHS tapes at cheaper prices (because they have no idea of what they may truly have gathering dust on their shelves).

VHS collecting is not for everyone.  The industry to moving to an all-digital world and pretty soon (unfortunately) both the DVD and BD collecting market may completely dry up which means that the VHS market will ultimately completely disappear and become extinct.  I don’t look forward to the day when I only have a large hard drive to look at rather than my large Big Boxes and Clam Shell VHS tapes and Special Edition DVD and BDs.

What about you?