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Quote:

Zombies are the middle children of the otherworldly family. Vampires are the oldest brother who gets to have a room in the attic, all tripped out with a disco ball and shag carpet. Werewolves are the youngest, the babies, always getting pinched and told they're cute. With all that attention stolen away from the middle child zombie, no wonder she shuffles off grumbling, "Marsha, Marsha, Marsha."

- Kevin James Breaux
Showing posts with label Jennifer Jason Leigh. Show all posts
Showing posts with label Jennifer Jason Leigh. Show all posts

Monday, April 6, 2020

Film Review: BURIED ALIVE (1990)


The telefilm Buried Alive (1990) is directed by Frank Darabont who would later craft The Shawshank Redemption (1994), The Green Mile (1999), and The Mist (2007), not to mention bringing to AMC the hit television series The Walking Dead.  This just so happens to be Darabont’s debut feature film after having directed the Stephen King based short story The Woman in the Room (1984).  This being said, this is not the type of film you might be expecting from Darabont.
Clint Goodman (Tim Matheson) is happily married to Joanna (Jennifer Jason Leigh), who unbeknownst to him is having an affair with Cortland Van Owen (William Atherton).  It seems that Joanna has had a tough time adjusting to her new life in the country and wants to stop the charade with her husband.   Cortland has hatched a plan that would allow them to get away from it all as long as they murder Clint to collect the insurance money.  Joanna thinks she kills Clint but only puts him in a deep coma.  After he is buried alive Joanna and Cortland think they have it made only Clint has managed to awaken from his coma and dug himself out of his own grave.  Realizing that his wife has masqueraded his death, Clint decides to hatch an elaborate plan to get even with his wife and her lover.

Although very much a product of “90s TV movies the film relies on the performances of its three leads which is where Matheson excels.  He starts off as your typical small town architect whom everyone loves and slows descends into vengeful madman due to his wife’s infidelity.  It is to Darabont’s assured direction that you get to see the slow metamorphosis of Clint and you believe that his reaction is the most logical one.

The film is hampered by it being a TV film but the build up to the ending is totally worth the wait and it shows the skill in film making that would aid Darabont in his future films.  This is definitely an older film to look out for as it possesses a lot of great elements that will still entertain to this day.


Saturday, May 5, 2018

Film Review: AMITYVILLE: THE AWAKENING (2017)


Writer/director Franck Khalfoun is the latest to tackle the undying Amityville franchise with AMITYVILLE: THE AWAKENING (2017).  The style and suspense from Khalfoun’s previous films P2 (2007) and MANIAC (2012) are lost in this remake/reboot of the Amityville story that at times acknowledges the existence of the original two films as a means to keep the story fresh in an age where every possible franchise is being rebooted.
Joan (Jennifer Jason Leigh) is desperate to move her invalid and comatose son James (Cameron Monaghan) to the hospitals and doctor that can best be able to help him recover.  This is contrary to her daughter Belle (Bella Thorne), James’ twin who believes that her brother is too far gone and they should just let him die in peace.  Moving into the infamous Amityville house is supposed to help the family financially but it doesn’t take long before Belle realizes that something in the house has nefarious plans for her and the rest of her family.  When James starts to magically recover from his condition, Belle seeks out answers to prove whether or not the house is to blame but it leads her down to some deep family secrets and trauma.

This all seems like an interesting plot to delve into but most everything on display has been down in previous films in the franchise including The Haunting in Connecticut (2009), another “based on true events” ghost story.  No gore is on display and for the most part the film plays it completely safe.  Rumors say that Khalfoun originally made a Rated-R film that was then trimmed down to a PG-13 but regardless, without more original ideas the end result probably would have been the same.  This is a sleek and great looking production with a very good cast that just cast elevate this mediocre material.