100 FAVORITE HORROR FILMS: Jason Blum

Showing posts with label Jason Blum. Show all posts

Thursday, April 16, 2020

Film Review: FANTASY ISLAND (2020)

Having not been much of a fan of neither the original show nor the recent (but short lived) remake, the new Fantasy Island (2020) is a different animal altogether. From producer Jason Blum, among others, comes a new take on an old classic that will be very divisive to fans of the original show while may not interest modern audiences.

A group of “lucky” people are invited for a vacation to Fantasy Island a place that will grant each of the visitors a single wish of their greatest fantasy. The island is presided over by a Mr. Roarke (Michael Pena) who insurers each people that they only get a single wish and that while they are on the island they must see their fantasy to its natural conclusion, but when each of the visitors’ fantasy turns out to be more real than they realized deeper and darker traumas start to surface which threatens their safety and sometimes their sanity.

Lead by a talented cast that includes Maggie Q, Lucy Hale, Austin Stowell, and Michael Rooker, to name a few, the film suffers not front the cast but from trying to overly complicate the plot to complete absurdity. Written by Jillian Jacobs, Christopher Roach, and Jeff Wadlow (who also directs) the film tries too hard to link all the characters while also over explaining the mysteries of the island when none of it is necessary. It’s a compacted story that probably needs three hours to adequately tell that’s been compressed down to a under two hour film for a reason, I can only surmise, is to tell and explain to audiences everything while leaving nothing to the imagination (or possible future films). This is a disservice as by the third act most of the explanations become ludicrous and you’ve ruined any good will the audience had for the film from the first two acts.

The other problem I had with the film is that I don’t think the film-makers knew what type of film they wanted to make. The trailers make the film out to be a horror film and for the most part there may be some horror elements contained within but the film comes off more as a dark fantasy and if it had played up those elements more than trying to be a PG-13 horror film then I think it would had been more embraced by general audiences. The horror filled trailers turned off general audiences and the PG-13 rating probably made horror indifferent.

It’s hard to say this but Pena does a great job as Mr. Roarke and it would have been interesting to see him reprise the role in a much better film but otherwise this is a very forgettable film that had so much potential if handled in a better way.

Monday, October 1, 2018

Film Review: CREEP (2014)

Jason Blum and Mark Duplass produce the found footage film CREEP (2014). Duplass does triple duty as writer and star (along with Patrick Brice) in this film in which Joseph (Duplass) is a man dying and wants someone to film his story for his surviving child. Aaron finds Joseph’s online inquiry and immediately takes the opportunity which will help him out financially.

Immediately upon meeting Joseph, Aaron thinks that there just isn’t something right with Joseph as he’s a bit eccentric and that not everything he’s telling Joseph adds up. When Aaron’s car keys go missing he is forced to stay the night at Joseph’s house and things get even more strange prompting Aaron to get out of there as soon as possible. But escaping Joseph’s house is just the start of Aaron’s problem as he soon learns that Joseph knows everything about him and been stalking him thinking that they are best friends. Now Aaron must figure out how to handle Joseph’s unwanted friendship before things get really out of hand amid mounting danger.

The whole film is shot as if it was from Aaron’s camera as part of Joseph’s video but once Aaron leave’s Joseph it becomes Aaron’s way of coping with the strange situation he finds himself in and a document of what is really going on. Duplass does an excellent job crafting a unique and creepy character while Brice’s Aaron is the every man.

The film may not keep you on the edge of your seat in a suspenseful way but it more than makes up for it in terms of the “creep” factor so if that is the type of film you’re looking for then this one is it.

Monday, February 15, 2016

Film Review: MOCKINGBIRD (2014)

I kind of expected something more from producer Jason Blum but the film Mockingbird (2014) does follow into the footprints of many of his other films like Sinister (2012), Insidious (2010), and The Gallows (2015), to name a few. Mockingbird follows a couple, a woman, and a geek shut-in who have been forced into playing a sick game by an unseen person. They are given cameras that do not turn off and forced to film everything that happens to them or they will die. Now this might sound like an interesting idea but the execution has a lot to be desired.

The geek shut in is the only person who actually enjoys what he is told to do by the unknown “puppet master” because to him it is a game and that he has a handful of tasks that he must do over the course of the night in order to win, namely dressing up as a clown. Because it’s a Blum production, the found footage aspect of the film works better than in most. The story is by Bryan Bertino and It’s also competently directed with some creative production touches but is otherwise an uninteresting film.

Sam Esmail (with the screenplay written by Bertino alone who also directs).

I actually wanted to like the film as it had an interesting concept of people being forced to do things that that otherwise wouldn’t do but none of the characters are interesting so I kind of tuned out after a while. Easily one of Blum’s lesser films but he’s produced enough found footage films that this one can easily be overlooked.

Monday, February 1, 2016

RANTS & RAVINGS ABOUT HORROR – “2015 – A Year in Review…in Hell”

I would have loved to have said that 2015 was a great year for the horror genre, but sadly it was far from it. 2015 was a bad year for traditional horror films unless you were producer Jason Blum and the production costs for your films were so low that you couldn’t help but turn a profit. Last year was a great year for non-horror, horror films which are all those films that have horror elements but would rather be action-horror (Jurassic World), animated-horror (Hotel Transylvania 2) or YA-horror (Maze Runner: The Scorch Trials) or comedy-horror (Goosebumps). Remakes were shit and found footage films no one cared for (unless, oddly enough, your name is Shyamalan) and no one wanted to see sequels. Here’s a play-by-play of how I saw 2015 in the world of horror.

Jurassic World was the #1 grossing (action-)horror film with over $652.3 million domestically! Some people loved the film but I thought it was mostly a rehash of the first two films done worse by two actors that had no on screen chemistry and the tired plot thread of putting stupid kids in danger (the plot of all the previous films). Chris Pratt wasn’t given enough room to breathe like he did in Guardians of the Galaxy and the dinosaurs (which looked excellent in 3D) were the only reason the film wasn’t complete shit. They should have stopped as The Lost World: Jurassic Park but now we are assured more braindead sequels to come.

Next up is Hotel Transylvania 2 (with $167.8 million domestically), which unfortunately I’ve not had the pleasure of seeing just yet. I loved the first film and thought it was quite inventive but I didn’t hear much good about this film so I just skipped it. That’s all that managed to gross over $100 million at the Box Office in 2015 which is a sad indicator of things yet to come over the course of the rest of the year.

Maze Runner: The Scorch Trials (with $81.7 million) was one of the few stand-outs of the year in my opinion as it took the adventure aspects of the original film and amped up the horror elements with its zombie-like carnage of terror. I really enjoyed the first film and loved what they did with the sequel and hope that subsequent films are just as inventive with their horror elements. Goosebumps ($79.3 million) did decent business but wasn’t a huge breakout film. I must be one of the few people who have never read the books nor seen the original television series so I didn’t bother watching this film that looked like Jumanji with Jack Black.

We finally get down to our first real horror film which is The Visit ($65.2 million) which was M. Night Shyamalan’s return to great form as he not only managed to craft a suspenseful found footage film but also made audiences believe that he wasn’t done yet as a capable film-maker. I for one enjoy most all of his films but audiences have been left with a bad taste after several of his prior films. Also, because he produced the film himself with his own money with a budget of only $5 million, this became one of the big success stories of the year. It also happened to be one hell pretty damn good film as well.

Insidious: Chapter 3 ($52.2 million) and the remake of Poltergeist ($47. 4 million) were big disappoints for different reasons. Insidious had a lot to live up to because of the success of the previous two films but since most of the cast were not returning and director James Wan jumped ship to go do the Furious 7 film, new director Leigh Whannell was going to have a lot to do in order to make audiences come back; unfortunately, only the die-hard fans showed up. The film was still financially successful but a disappointment nevertheless. Like most horror film remakes, there was no reason for Poltergeist other than it was a beloved film that hadn’t been given the remake treatment yet. This film arrived D.O.A. despite the star power of Sam Rockwell and Rosemarie DeWitt. I enjoyed Insidious but hated Poltergeist.

Next down on the list is the better than expected The Gift ($43.8 million) which is a character based thriller that had many twists and turns throughout. With only a $5 million budget this did excellent business and played well with audiences throughout its run. This is one of my favorites of the year. A different kind of gift was on display with the holiday film Krampus ($42.5 million) which got mixed reviews from audiences expecting another Trick ‘R Treat from director Michael Dougherty. This film didn’t make any waves and was unfortunately quickly forgetten despite the fact that I enjoyed it quite a bit.

The suspense thriller The Boy Next Door ($35.4 million) did really good business for a film whose production budget was a meager $4 million but so did producer Jason Blum’s other film Unfriended ($32.5 million) except the former is not as well remembered as the later. Unfriended had a budget under $1 million and had one of the best profit gains of the year of any film. I thought The Boy Next Door was effective yet highly forgettable and enjoyed the hell out of Unfriended when I saw it on the big screen in front of packed audience.

The most beautiful horror film of the year award goes to Guillermo del Toro’s Crimson Peak ($31.1 million) but it’s gothic romance over horror vibe turned away many audiences. Because of the budget of the film and the fact that this was built up to be one of the biggest horror films of the year, instead it became one of its biggest disappointments. This is still one of my favorite films of the year that I believe time will shed a new light on for audiences.

Blum returned again with sequel Sinister 2 ($27.7 million) but this was a huge disappointment compared to the previous film and the hefty production budget of $10 million (high for a Blumhouse Production) means that this franchise is probably dead. Another disappointment was the projected franchise starter The Last Witch Hunter ($27.4 million) which was one of the biggest box office duds of the year with a production budget of $90 million. This was supposed to be a franchise starter and not a franchise killer. I missed both of these last two films as I didn’t really care for the original Sinister film and Vin Diesel has starred in more crap films than good ones (i.e. Babylon A.D. and XXX) so I had no interest in his latest debacle (and neither did anyone else).

Another unneeded sequel arrives with The Women in Black 2: Angel of Death ($26.5 million). Although an interesting concept the film should have been a stand-alone film rather than be forced to work within the confines of the original Woman in Black film. Not a terrible film, but not a very memorable one either. The same can be said for The Lazarus Effect ($25.8 million) which had a great cast and interesting concept that is blundered by being a CGI heavy slasher film in the third act. Not a film worth seeking out as it borrows so much from the film Flatliners that it’s just better to go back and watch that film instead.

I might be a little biased since I come from the theatre world but I really enjoyed the low budget film The Gallows ($22.8 million) which was criticized not only for being a found footage film but also being predictable and unoriginal. Unfortunately, it’s hard to be original with a found footage film as the market has been flooded with them but setting the film in the world of live theatre is why I liked it so much. On a budget of only $100,000 this film was another huge financial success despite audience apathy. This film was also produced by Blum as was Paranormal Activity: The Ghost Dimension ($18.3 million) which is the lowest grossing film of the franchise. Advertised as the final film, it was presented in 3D but was only given a moderate release because it was released simultaneously on VOD which is still highly controversial to most theater chains, so it didn’t get as wide a release as previous films in the franchise and kind of died quickly. I loved seeing the film in 3D but it lacked the punch of previous films in the franchise which were suspenseful because of what audiences didn’t see rather than what they did.

Another high profile (action-)horror film to arrive D.O.A. was Seventh Son ($17.2 million) which had a $95 million price tag and nothing to show for it. It wasn’t all that interesting of a film and was quickly ignored and forgotten.

One of the most well received indie horror films It Follows ($14.7 million) almost didn’t get a theatrical release but when it did it found its audience. The under $2 million production was a breath of fresh air from all the Hollywood horror films that just weren’t cutting it. Like The Babadook a year before it, It Follows was the horror film that no horror fan should miss. I loved the originality of the film and even though I didn’t think it was as good as The Babadook it was definitely one of the highlights of 2015. The Green Inferno ($7.2 million) sat on a shelf for several years before finally finding release and unfortunately I didn’t get a chance to see it as yet.

Victor Frankenstein ($5.8 million) was another high profile box office dud that found no love from audiences. I rather liked the adventure-horror film that was more The Mummy (1999) and less Mary Shelley’s Frankenstein (1994). It was fun and exciting and had a great cast that really got the film that they were trying to make. Not for the traditionalist, this version of the Frankenstein story owes more to Peter Cushing’s Victor Frankenstein from the Hammer franchise than from the book.

There are tons more films that were released last year but since I didn’t see any of them (yet) I can’t comment on them. Instead, I’ll just list some of them with their domestic gross and keep in mind that many of these films received limited theatrical release at the same time as a VOD release.